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Tuesday Apocalypse, by Vicy Cross
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In the war-weary year of 1940, just one rundown hospital survives London's collapse. Sister Barbara, a nun and volunteer nurse, inspires hope in her patients, but that faith is shaken when an unidentified aircraft explodes near the hospital. The half-eaten corpse beneath the mangled wreckage appears to corroborate the pilot's story that some sort of "tentacle-monster" attacked his plane. However, Sister Barbara pushes these dangers aside and plunges beyond the rubble when the man she loves disappears in the wastelands. She discovers a bloodstained beauty in his place—but the girl's outward innocence hides a voracious sexual appetite, and an even more disturbing secret. One by one, the terrified patients vanish from their beds. Titillating tentacles lick the hospital walls at night. And the dreams, always the dreams, drawing Sister Barbara deeper into a well of madness. She suspects she and the other women at the hospital are transforming into something... unholy. Sister Barbara knows she must figure out what before the evil in their midst consumes them all.
- Sales Rank: #494231 in Books
- Published on: 2013-07-26
- Original language: English
- Number of items: 1
- Dimensions: 7.81" h x .48" w x 5.06" l, .47 pounds
- Binding: Paperback
- 210 pages
Most helpful customer reviews
3 of 3 people found the following review helpful.
If you thought Mondays were bad...
By Rich Bottles Jr.
"Love conquers all" is the theme of Vicy Cross's paranormal erotic novel entitled Tuesday Apocalypse. Set near London during the Nazi siege of World War II, the patients and staff of a shell-shocked Catholic Hospital must learn to deal with one another's vices, phobias and personality disorders as they try to survive together under the extreme stress and trauma of war, which has evacuated and decimated the rest of the town of Gloucester. But how can a couple of nuns, serving as nurses, and an aging widower, make for an erotic paranormal romance? Dream sequences. Dream sequences wetter than the River Thames. Dream sequences hotter than a 1kg Luftwaffe incendiary bomb. Dream sequences more graphic than Josef Mengele's medical journal.
But it takes a downed RAF fighter pilot's mysterious admittance into the hospital for the main character's sinful dreams to begin to become reality, specifically the sinful dreams of vivacious and voluptuous Sister Barbara Shirley. Babs has a hard time believing the injured pilot's rantings about the evil flying tentacled creature that caused his plane to crash into the Gloucester street adjacent to the hospital. Yes, Sister Barbara Shirley is in denial. Sister Barbara Shirley is in denial about the pilot's story. Sister Barbara Shirley is in denial about her love for a young soldier named Robert who assists at the hospital. Sister Barbara Shirley is in denial about the origin of a young naked anonymous girl the staff finds in the garden one evening, whom the staff decide to name Tuesday (since Guy Fawkes is not a very feminine name).
When the menfolk at the hospital, including Robert, start to take more notice of Tuesday than they do of the vow-affirming stuck-up nun, Sister Barbara has a wardrobe change and turns in her good habit for a bad habit. Tuesday also brings out the worst in the personalities of ego-maniac Robert, drug-addicted Dr. Duckworth, raging hormonal pubescent teen William, grief-stricken widow Tuttle, manic depressive ex-nun Joyce and lunatic pilot Frank Mullen. Indeed, the perceptive and proactive Frank Mullen attempts to circumvent the cult of personality by wiping Tuesday off his event calendar, but the rest of the group end up hiding the bed-ridden party pooper in the boiler room and refuse to invite him to the orgy planned by Duckworth. Oh yeah, did I mention that a few people lose fingers and toes during the ravenous climax of the orgy? Oh yeah, there's a lot tentacle sex too, if you're into that kind of thing (and, honestly, who isn't, right?)
But I as mentioned above, love songs may calm the savage beast, but its the unrequited lust of heavy metal mayhem which makes for true thrills. Tuesday Apocalypse is indeed a thrill ride of epic proportions.
2 of 2 people found the following review helpful.
A gorgeous story that's bound to give you the chills
By Sally Bend
It's funny how our literary tastes change as we get older. I remember trying to read Dracula when I was young and finding the style boring, and then trying again as a teenager and finding it far too literary, and then reading it a third time as an adult and being delighted by it. The epistolary format is an unusual one, and I think Vicy Cross takes some liberties with it here, but it's absolutely perfect for the tale she tells.
Personal, intimate, and full of atmosphere, Tuesday Apocalypse is a magnificent story that works on so many levels (or perhaps layers) - romance, drama, erotica, and horror. This is not a story that bounces around between those genres, but which embraces them all, and blends them together, often within the same scene.
Reading this reminded me very much of enjoying Stoker's masterpiece for the first time. I was unsettled by my reactions, uncomfortable with my own thoughts, and often unable to reconcile my heart with my head. I fell in love with Sister Barbara. I wanted to reach into the book, cradle her softly in my hands, and carry her to safety. At the same time, I wanted to drop into the book, hide behind the bombed out ruins, and watch her being violated by Tuesday's alien tentacles. It's not easy to titillate and terrorize within the same scene, but Cross does a lovely job of forcing us to see both sides of the encounter.
The slow, creeping madness . . . the insistent, wanton seduction . . . the gleeful violation of vows . . . the tortured desire to succumb to temptation . . . the desperate pleas for salvation . . . the anguished attempts to hold onto something of one's true self . . . Cross offers us all of that and more. I loved the many layers beneath which she allowed her evil to creep, robbing Barbara of her sexuality on so many levels. Here we have a young woman already tempted by betray her vows by a handsome young man, who suddenly finds herself lusting after - gasp! - another woman, and who ultimately finds herself fighting the urge to surrender to tongues and tentacles. Wow . . . and oh, my.
I don't imagine Stoker ever dreamed of writing something this explicit, but there's no denying that the two tales share a lot in common. For him it was teeth that pushed the edge of taboo, while for Cross it's tentacles that do the same thing. His seductive sense of evil may have come the grave, rather than from beyond the stars, but they both have the same horrifying impact. This was just a gorgeous story, and one that is bound to give you the chills - and I mean that in every sense of the word.
1 of 1 people found the following review helpful.
Paranormal romance, gothic horror, and era-based fantasy, what more could you ask for?
By Gary Vincent
I discovered Vicy Cross through recommendations from author friends of mine Rich Bottles Jr. (Lumberjacked) and Wol-vriey (Vegan Zombie Apocalypse), who made glowing reviews about the book and sparked my curiosity.
Needless to say, Tuesday Apocalypse was my first exposure to Vicy Cross and I can say that I really enjoyed her writing style. It was written much the way a diary reads and one could draw similarities to Lovecraft, Poe, and Stoker - speculative fiction and dark fantasy.
The key difference in Ms. Cross' work is that her erotic scenes are fantastic and painted in a highly visual way, especially when told from the first person standpoint of a nun.
There is an interesting thread throughout the story of taboo, social norms, and crossing them.
Tuesday Apocalypse takes risks and I greatly look forward to future works put out by this author.
- Gary Lee Vincent, Author of Darkened Hills (Darkened - The West Virginia Vampire Series)
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